![]() While his initial motives concern a long-standing blood feud against the Jotuns, his development during the story is about learning to live amongst humans, with whom he has no prior rivalry, and who don’t look all that different from him. But the supposed change he undergoes in the film feels disconnected from this climactic decision. “I’ve changed!” he bellows at his brother, stating his reason for no longer wanting to kill Frost Giants. It’s a noble sacrifice, but the way it plays out calls his arc, and the movie’s dramatic framing, into question. ![]() It’s at this point in the story, when Thor “dies” for his new human compatriots, that Mjolnir and its powers return to him, and he returns to Asgard to prevent Loki from destroying Jotunheim, even if it means breaking Asgard’s Rainbow Bridge (his only path back to Earth, and to Jane). On Earth, he later meets Jane Foster (Natalie Portman) and her fellow scientists, and while he often acts brutishly in their presence - “Another!” he yells, while breaking a diner coffee cup - he eventually comes to care for the people of Earth, until he’s ready to sacrifice himself for their safety. Unbeknownst to Thor, his scheming brother Loki (Tom Hiddleston) had been responsible for a handful of these Giants attacking Asgard, resulting in Thor’s bloodthirsty incursion of their planet. The catalyst for Thor’s exile is his invasion of Jotunheim, the frozen realm of the enormous blue Jotuns, or the Frost Giants, a species with whom Odin and the Asgardians have a long-standing cultural enmity. While Waititi would eventually lampshade Thor’s relationship with Mjolnir, it forms the emotional backbone of his on-screen debut, allowing for some amount of emotional investment in the character, even if - upon closer inspection - the details fail to add up to something meaningful. The first time Thor tries and fails to retrieve his hammer, Hemsworth captures the utter devastation on the prince’s face, followed by a performance that closely resembles bereavement. The broad strokes make sense on paper, with Thor’s banishment functioning as an opportunity for some much-needed introspection until he becomes a better man (then, and only then, can he lift his trusty hammer, Mjolnir). More specifically, Branagh’s origin story deals with the brash prince of Asgard being cast out by his father, Odin (Anthony Hopkins), because of his warmongering tendencies, and it sees him stripped of his destructive powers until he learns to wield them responsibly. The film’s core premise establishes a running theme throughout Thor’s MCU journey: the question of his worthiness. How Taika Waititi Turned Thor Into a Comedian He brought with him the regal grandeur of his five Shakespeare adaptations - among them, Hamlet and Henry V - and he told a mythic story set partially on Earth and partially in a gilded palace, about gods and egos, fathers and sons, and ultimately, about sacrifice. Apart from lobbing off one leg of his tripod, Branagh’s approach was fairly straightforward. Michael Straczynski) and of Oscar-nominated director Kenneth Branagh. Thor’s 2011 introduction came courtesy of a whole host of credited screenwriters (Ashley Edward Miller, Zack Stentz, Don Payne, Mark Protosevich, and Thor comic scribe J.
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